Conferences
Art crime : protecting art, protecting artists and protecting consumers
Landmark Parkroyal, Sydney
2-3 December 1999
Contents
Introduction
Irresponsible and distorted claims of fraud in the popular media have threatened the major multi-million dollar art industry in Australia. Art crime is often a hidden crime as many public galleries do not report theft which would show their security as being inadequate and private collections may not wish to call attention to their collections. The legitimate art market often unknowingly passes on stolen art, and the criminal art market operates in quite a different way to the general market for stolen goods.
This conference aimed to inform the market about the nature of art fraud and heritage crime, in order to increase the protection of both artists and consumers. The proceedings examine the problems of: fraud, forgery, theft and recovery, money laundering, authentication and copyright issues, particularly Aboriginal copyright. Ways of keeping better records of art loss and verification technologies are also discussed.
Conference papers
Art crime : winners and losers
- Opening comments
Dr Adam Graycar, Director, Australian Institute of Criminology - Opening address
Senator, The Hon Amanda Vanstone, Minister for Justice and Customs - Keynote address - Who wins and who loses when art is stolen or forged
Professor Ken Polk, Department of Criminology, University of Melbourne, Victoria
Fakes and frauds I
- All that glitters ...
Robyn Sloggett, Ian Potter Museum of Art, University of Melbourne, Victoria - Policing fakes
Paul Baker, PricewaterhouseCoopers, New South Wales - Forgery issues in philately
Derek Pocock, Australian Philatelic Federation, Western Australia
Fakes and frauds II
- Much ado about nothing?
Philip Bacon, Philip Bacon Galleries, Queensland - ... Is not gold
Robyn Sloggett, Ian Potter Museum of Art, University of Melbourne, Victoria
Law enforcement issues
- Art crime and law enforcement
The Hon Duncan Kerr MP, Shadow Minister for the Arts - Law enforcement issues in art theft
Det Sgt Brian Hanley, Queensland Police Service - The development of the national fraud database
Ian McCartney, Australian Bureau of Criminal Intelligence
Theft
- Stolen art and the art loss register
Anna Kisluk, Art Loss Register, Unites States of America - Legal issues and recovery processes : Australia
Andrew T Kenyon, Department of Law, University of Melbourne, Victoria - Recovery of unlawfully-removed works of art and antiquity - the legal dimension
Professor Norman Palmer, University College, United Kingdom
Legal issues in art crime : Australian and international
- Intellectual property issues in art crime
Norman Reaburn, Deputy Director, Commonwealth Attorney-General's Department - Illicit antiquities : the situation in South-East Asia
Dr Neil Brodie, Illicit Antiquities Research Centre, University of Cambridge, United Kingdom - Australian and international laws on export controls for cultural heritage
Dr Linda Young, Cultural Heritage Management, University of Canberra
Aboriginal art : authenticity and the consumer
- Challenges to authenticity in the Aboriginal art market
Assoc Professor Christine Alder, Department of Criminology, University of Melbourne, Victoria - Authentication : the role of the Aboriginal art centres
Karen Dayman, Mangkaja Arts Resource Agency, Northern Territory
Aboriginal art : knowledge for consumers
- Aboriginal art - is protection or education the issue?
Damian Stevens, Department of Communications, Information Technology and the Arts - Intellectual property and Aboriginal art
Adrian Newstead, Cooee Gallery, New South Wales
Crime prevention
- The role of the Australian Customs Service
Phil Burns, Australian Customs Service - Crime prevention
Det Sgt Brian Hanley, Queensland Police Service - Protecting art collections : a strategic approach
Insp Richard Roberts, Australian Protective Service - Art crime and prevention : best practice issues
Professor Ken Polk, Department of Criminology, University of Melbourne, Victoria

